![]() ![]() ![]() Meanwhile, those of you well-versed in musical notation should be able to interpret the notes on the bright-white sheet music spread open on a music stand seen between the vertical strings of a harp during "The Outlaw Torn." Returning director Wayne Isham keeps the uber-crisp arena visuals necessarily dark, occasionally bathing both band and orchestra alike in shades of red and blue (the latter hue serving as quite the cool profile outline during a close-up on a French horn player). Two ace musical directors/conductors-the deeply respected Michael Tilson Thomas and the quite animated Edwin Outwater-trade off baton duties during the 2.5-hour show, each more than up to the task of both revisiting and expanding Kamen's initial blueprints (as well as handling/shaping additional new scoring by Bruce Coughlin). Though Kamen passed away in 2003, his spirit lingers all across S&M2, a sequel 20 years in the making performed over two nights at the Chase Center in San Francisco in September 2019. Not only that, but Kamen's skilled orchestral re-arrangements of 20 Metallica classics also revealed how many of the band's subversive originals were perhaps more progressively inclined than others may have previously thought. Back in April 1999, he convinced Bay Area metal overlords Metallica to team up with the San Francisco Symphony in Berkeley, California, for S&M, a 2.2-hour concert wherein classical music met aggro-rock head-on.
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